That way they learn to feel the experience of conscious finger preparation. Although, with beginning students, I still prefer to emphasize conscious preparation via quick intentional preparatory movements. In slower pieces, I think either approach is acceptable. I find that in real life, when playing a fast piece, yes, the fingers will arrive at the moment the new note must be plucked. They argue that this results in smoother, fluid movements. They say it is better to arrive at the new destination at the moment the new note must be played, not beforehand. Instead of moving immediately and the finger halting at its destination point ready to land, they advocate slower, more graceful movements. That way, they will begin to develop a clear understanding of where their fingers are going. I want them to see their finger arrive at its destination before the new note must be plucked. I believe this instills the thought in their minds and fingers to consciously and intentionally move the fingers proactively. I always tell my students to move immediately and quickly. How Fast Should the Finger Move to Its New Location? The player must carefully choreograph the movements, so they are made quickly with a minimum of excess motion. For stability, when possible, position the finger above its target note at least a few milliseconds before you place it onto the string. If the journey begins immediately, there is not a jarring and jerky movement at the last split second to reach the next note. Once a finger lifts off note x, it should immediately begin its journey to position itself for note y. Frantic, last-minute lunges usually produce mistakes. The principle of moving the fingers to the specific location they are needed next is a sub-category of left-hand finger preparation in general.Įspecially in a difficult or fast passage, the fingers should rarely lunge frantically into position at the last moment. Left-hand finger preparation is a key part of an effortless left-hand technique and playing without mistakes. If the fingers are out of position, mistakes will happen.Ī Principle of Left-Hand Finger Preparation:Īlways lift fingers to the specific location they are needed next Very often, mistakes are caused by not lifting fingers to where they are needed next. How do I find opportunities for better left-hand finger preparation in the pieces I play?Įxamine the spots where you make mistakes. How do I prepare my left-hand fingers?Īlways lift fingers immediately to the specific location they are needed next. This article may be reprinted, but please be considerate and give credit to Douglas Niedt.įrequently Asked Questions Why is left-hand finger preparation important?
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